wedelmusic,Third International Conference on WEB Delivering of Music (WEDELMUSIC'03)

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Third International Conference on WEB Delivering of Music (WEDELMUSIC'03)


Message from the Chairs (PDF) p. viii
Conference Committee (PDF) p. ix
Steering and Program Committees (PDF) p. x
Music Distribution
Laramedia Inc., an Internet Distribution Network for Commercial Audio (Abstract) Tom Laramee p. 3
Distributed Multimedia Plays with QoS guaranties over IP (Abstract) Arne Lie, NTNU Department of Telematics Leif Arne Ronningen, NTNU Department of Telematics p. 12
Use of the MPEG-21 Rights Expression Language for Music Distribution (Abstract) Jaime Delgado, Universitat Pompeu Fabra (Barcelona, Spain) Isabel Gallego, Universitat Pompeu Fabra (Barcelona, Spain) Eva Rodriguez, Universitat Pompeu Fabra (Barcelona, Spain) p. 16
Online Music Services
Potato System and Signed Media Format - an Alternative Approach to Online Music Business (Abstract) Jurgen Nutzel, Technische Universität Ilmenau Rudiger Grimm, Technische Universität Ilmenau p. 23
Key Success Factors in the Emerging Landscape of Mobile Music Services (Abstract) Pavlos Vlachos, Athens University of Economics and Business Adam Vrechopoulos, Athens University of Economics and Business p. 27
Enhancement of existing web applications to support Audio and Musical tools (Abstract) Giovanni Tummarello, University of Ancona, Italy Christian Morbidoni, University of Ancona, Italy Francesco Piazza, University of Ancona, Italy p. 31
Music Transcription and Translation
Automatic Music Transcription Supporting Different Instruments (Abstract) I. Bruno, University of Florence S. L. Monni, University of Cagliari P. Nesi, University of Florence p. 37
Producing Accessible Multimedia Music (Abstract) David Crombie, FNB (Dutch Library for the Print Impaired) Roger Lenoir, FNB (Dutch Library for the Print Impaired) Neil McKenzie, FNB (Dutch Library for the Print Impaired) p. 45
The Need of Perceptual Hashing Techniques for Music Scores (Abstract) Jonathan Irons, Sheet Music Now Martin Schmucker, Fraunhofer-IGD p. 49
Watermarking
Attacks on Digital Audio Watermarks and Countermeasures (Abstract) Michael Arnold, Fraunhofer-Institute for Computer Graphics p. 55
Unitary Approach of Watermarking and Attack Algorithms for Audio Signals (Abstract) T. Muntean, Université Bordeaux I M. Najim, Université Bordeaux I p. 63
On the Spectral Singularities of Watermarked Audio (Abstract) Xianfeng Zhao, Shanghai Jiaotong University Weinong Wang, Shanghai Jiaotong University Kefei Chen, Shanghai Jiaotong University p. 67
Watermarking of audio signals using Independent Component Analysis (Abstract) Toch Toch, Aston University David Lowe, Aston University David Saad, Aston University p. 71
Music Analysis, Generation and Preservation
Modeling Musical Style using Grammatical Inference Techniques: a Tool for Classifying and Generating Melodies (Abstract) Pedro P. Cruz-Alcazar, Universidad Politécnica de Valencia Enrique Vidal-Ruiz, Universidad Politécnica de Valencia p. 77
Semantic Relationship and Identification of Music (Abstract) Frank Seifert, Chemnitz University of Technology Wolfgang Benn, Chemnitz University of Technology p. 85
Determining the Chromatic Index of Music (Abstract) Dionysios Politis, Aristotle University of Thessaloniki, Greece Dimitrios Margounakis, Aristotle University of Thessaloniki, Greece p. 93
Computer-aided Composition from Melodic Contours and Tabular Constraints (Abstract) Hung-Che Shen, National Sun Yat-Sen University Chungnan Lee, National Sun Yat-Sen University p. 101
CBS: A Concept-Based Sequencer for Soundtrack Composition (Abstract) Michael O Jewell, University of Southampton, Southampton Mark S. Nixon, University of Southampton, Southampton Adam Prugel-Bennett, University of Southampton, Southampton p. 105
Preserving Interactive Digital Music: A Report on the MUSTICA Research Initiative (Abstract) Bruno Bachimont, Institut National de l’Audiovisuel (INA) & Université de Technologie de Compiègne Jean-Francois Blanchette, University of British Columbia Andrew Gerzso, Institut de Recherche et Coordination Acoustique/Musique (IRCAM) Anne Swetland, University of California, Los Angeles Olivier Lescurieux, Institut de Recherche et Coordination Acoustique/Musique (IRCAM) Pierre Morizet-Mahoudeaux, Université de Technologie de Compiègne Nicolas Donin, Institut de Recherche et Coordination Acoustique/Musique (IRCAM) Jill Teasley, University of British Columbia p. 109
Digital Rights and Metadata
The Application of Digital Rights Management Systems in the Music Industry - An Empirical Investigation (Abstract) Marc Fetscherin, University Bern, Switzerland Matthias Schmid, University Bern, Switzerland p. 115
LicenseScript: A Novel Digital Rights Language and its Semantics (Abstract) Cheun Ngen Chong, University of Twente, The Netherlands Ricardo Corin, University of Twente, The Netherlands Sandro Etalle, University of Twente, The Netherlands Pieter Hartel, University of Twente, The Netherlands Willem Jonker, Philips Research, The Netherlands Yee Wei Law, University of Twente, The Netherlands p. 122
Editorial Metadata in the Cuidado Music Browser: Between Universalism and Isolationism (Abstract) Amaury Laburthe, Sony CSL - Paris Francois Pachet, Sony CSL - Paris Jean-Julien Aucouturier, Sony CSL - Paris p. 130
Using Cultural Metadata for Artist Recommendations (Abstract) Stephan Baumann, DFKI GmbH Oliver Hummel, DFKI GmbH p. 138
Industrial Applications
Beyond the Talking Head: The Web Delivery of Methodology and Field Experience for Music Education (Abstract) Eugenie Burkett, Shenandoah University Grace Ohlenbusch, University of Central Arkansas p. 145
Watermarking Music Sheets, it is possible? (PDF) M. Campanai, EXITECH s.r.l. - Italy P. Nesi, University of Florence - Italy M. B. Spinu, EXITECH s.r.l. - Italy; University of Florence - Italy p. 151
Using MusicXML for File Interchange (PDF) Michael Good, Recordare LLC Geri Actor, Recordare LLC p. 153
Interactive Sound Player (ISP): Enabling interactive sound in Digital Media (PDF) Michael Westermann, digitalklang sonification services p. 154
Author Index (PDF) p. 155