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Published Articles >> Table of Contents >> Abstract
January/February 2004 (Vol. 24, No. 1)
pp. 31-35
Beyond the Cybernetic Jam Fantasy: The Continuator
François Pachet, Sony Computer Science Laboratories Paris
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DOI Bookmark: http://doi.ieeecomputersociety.org/10.1109/MCG.2004.10007
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| Abstract |
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The Continuator is a usable musical instrument combining techniques from interactive and automatic learning systems. It learns and interactively plays with a user in the user's style.
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 References
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[1] S. Kay, The Korg Karma Music Work Station, Korg Inc., 2000.
[2] J.-C. Risset and S. Van Duyne, "Real-Time Performance Interaction with a Computer-Controlled Acoustic Piano," Computer Music J., vol. 20, no. 1, 1996, pp. 62-75.
[3] D. Cope, Experiments in Musical Intelligence, A-R Editions, 1996.
[4] R. Kurzweil, The Age of Spiritual Machines, Viking Press, 1999.
[5] F. Pachet, "Music Interaction with Style," Proc. Int'l Computer Music Conf. (ICMC 2002), ICMA Eds., 2002, pp. 211-218.
[6] F. Pachet, "Playing with Virtual Musicians: The Continuator in Practice," IEEE MultiMedia, vol. 9, no. 3, 2002, pp. 77-82.
Additional References
[1] C.E. Shannon, "A Mathematical Theory of Communication," part I, Bell Systems Technical J., vol. 27, July 1948, pp. 379-423.
[2] C.E. Shannon, "A Mathematical Theory of Communication," part II, Bell Systems Technical J., vol. 27, October 1948, pp. 623-656.
[3] H. Brooks, "An Experiment in Musical Composition." IRE Trans. Electronic Computers, vol. 6, no. 1, 1957.
[4] D. Cope, Experiments in Musical Intelligence, A-R Editions, 1996.
[5] J.L. Triviño-Rodriguez and R. Morales-Bueno, "Using Multiattribute Prediction Suffix Graphs to Predict and Generate Music," Computer Music J., vol. 25, no. 3, 2001, pp. 62-79.
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 Additional Information
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Citation:
François Pachet,
"Beyond the Cybernetic Jam Fantasy: The Continuator,"
IEEE Computer Graphics and Applications,
vol. 24,
no. 1,
pp. 31-35,
Jan/Feb,
2004
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